7mm Multicolor Tennis Bracelet - S/M & L
7mm Multicolor Tennis Bracelet - S/M & L
The 7mm Multicolor Tennis Bracelet runs square-cut zircon in magenta, emerald, and olive, each colour separated by a clear stone, on a rhodium-plated line. It is built on contrast rather than on a gradient: the colours are unrelated to each other, and the clear stones are what stop that from becoming noise.
Magenta and green sit opposite each other on the colour wheel. That is the whole design. Complementary colours make each other look more saturated than either does alone, which is why this reads brighter than the number of stones would suggest. Olive holds the middle, and the clear stones give the eye somewhere to rest between them.
The clasp is set with stones too. On almost every tennis bracelet the clasp is a plain block of metal, and it sits in the line like a missing tooth. Here it is pavé-set across its whole face, so the run of stones genuinely closes with nothing interrupting it. That is the detail worth looking for on any tennis bracelet, and it is the one most skip.
Rhodium plated, which is the finish white gold gets. Rhodium is a platinum-group metal and the hardest, most reflective plating used in jewellery - white gold is plated with it precisely because it outperforms the metal underneath. Against strong colour that cold white matters: a warmer metal would tint the greens and pull the magenta toward orange.
This is a sample, and there is one of each size. S/M fits to 6.9 inches, Large to 7.7 inches. Part of the Sample Sale - pieces we bring in to test, priced to move, and not restocked. The blue gradient version is in the same sale. Ships in a Caligio gift box from Los Angeles.
The 7mm Multicolor Tennis Bracelet runs square-cut zircon in magenta, emerald, and olive, each colour separated by a clear stone, on a rhodium-plated line. It is built on contrast rather than on a gradient: the colours are unrelated to each other, and the clear stones are what stop that from becoming noise.
Magenta and green sit opposite each other on the colour wheel. That is the whole design. Complementary colours make each other look more saturated than either does alone, which is why this reads brighter than the number of stones would suggest. Olive holds the middle, and the clear stones give the eye somewhere to rest between them.
The clasp is set with stones too. On almost every tennis bracelet the clasp is a plain block of metal, and it sits in the line like a missing tooth. Here it is pavé-set across its whole face, so the run of stones genuinely closes with nothing interrupting it. That is the detail worth looking for on any tennis bracelet, and it is the one most skip.
Rhodium plated, which is the finish white gold gets. Rhodium is a platinum-group metal and the hardest, most reflective plating used in jewellery - white gold is plated with it precisely because it outperforms the metal underneath. Against strong colour that cold white matters: a warmer metal would tint the greens and pull the magenta toward orange.
This is a sample, and there is one of each size. S/M fits to 6.9 inches, Large to 7.7 inches. Part of the Sample Sale - pieces we bring in to test, priced to move, and not restocked. The blue gradient version is in the same sale. Ships in a Caligio gift box from Los Angeles.
Built on contrast, not on harmony
There are two ways to run colour along a bracelet. One is a gradient - shades of the same family stepping into each other, which reads calm and continuous. The other is what this one does: pick colours that have nothing to do with each other and set them side by side. Magenta and green sit almost opposite on the colour wheel, and complementary colours make each other look more saturated than either does alone. That is a measurable effect in how the eye processes colour, not a matter of taste, and it is why this line reads brighter than the number of stones would suggest. Olive holds the middle ground between the two, warm enough to bridge them without belonging to either.
The clear stones are doing the hardest work
Three strong colours in a row with nothing between them would fight, and the bracelet would read as noise rather than as a design. A clear stone set between each colour acts as a pause: it gives the eye somewhere neutral to land before the next hit, and it stops adjacent colours from bleeding into one another visually. Take the clear stones out and the same three colours would look cheap. That spacing is the difference.
The clasp is set with stones, and almost none are
This is the detail worth checking on any tennis bracelet before buying it. The premise of the design is an unbroken line, and on nearly every tennis bracelet made that premise fails at one point: the clasp, a plain block of metal sitting in the run like a missing tooth. Manufacturers do it because a pavé-set clasp is more work and the clasp usually ends up under the wrist anyway. Here the clasp face carries its own field of small stones, so the line genuinely closes.
Why the metal has to be cold
Rhodium is a platinum-group metal and the hardest, most reflective plating used in jewellery - white gold is plated with it as standard because rhodium is brighter and harder than the white gold underneath. On a piece carrying this much colour that cold white is not just a finish choice: a warm metal would tint the greens toward yellow and drag the magenta toward orange, and the complementary relationship holding the design together would collapse. Rhodium stays out of the way and lets each colour be itself.
Square cuts, because colour needs edges
A round brilliant scatters light into many small points, which is excellent for a clear stone and poor for a coloured one - the colour breaks up along with the light. A square holds a solid field with a hard boundary, so magenta stays magenta right up to the line where green begins. On a multicoloured bracelet the cut is what makes the colours legible as separate colours.
Where the name came from
The style was called an eternity or line bracelet until the 1987 US Open, when American player Chris Evert's diamond line bracelet came off mid-match and play was paused while she recovered it. The press renamed it the tennis bracelet and the older names disappeared. What failed that day was a clasp, which is one more reason the clasp deserves attention.
One of each size
This is a sample. We bring pieces in to see how they wear and how they photograph, and the ones that do not go into a full production run are sold here as single copies. There is one S/M and one Large, and neither is restocked. The blue gradient version is the calmer piece in the same Sample Sale.
Designed in Los Angeles since 2020. Ships gift-boxed.
| Product | 7mm Multicolor Tennis Bracelet, S/M and L |
| Type | Tennis bracelet, a single line of stones with no centrepiece |
| Stones | Square-cut zircon in magenta, emerald, and olive, with a clear stone between each colour |
| The design | Contrast rather than gradient. Magenta and green sit opposite on the colour wheel and intensify each other |
| Why the clear stones | They act as pauses, stopping the three colours from bleeding into one another |
| Why square cuts | A square holds a solid field of colour with a hard edge. A round cut would break the colour up with the light |
| Clasp | Box clasp, pavé-set across its face so the stone line closes with no plain metal break |
| Finish | Rhodium plated, the same platinum-group finish applied to white gold |
| Why rhodium here | A cold white metal leaves each colour untinted. Warm metal would yellow the greens and orange the magenta |
| Width | 7mm. Wide enough for the squares to read as squares and the colours as separate fields |
| Sizes | S/M, up to 6.9 in. Large, up to 7.7 in |
| Fit | Close but loose enough to turn. It should stop at the wrist bone |
| Availability | One of each size. This is a sample and it is not restocked |
| Water | Keep it dry. Remove before the shower, the pool, the gym, and heavy sweat |
| Wears with | Black, white, and grey. Keep the rest of the wrist plain |
| Calmer option | 7mm Blue Tennis Bracelet, a gradient instead of contrast |
| Collection | Sample Sale |
| Designed in | Los Angeles, California |
| Packaging | Gift box with Caligio pouch bag |
Rhodium is hard, but it is a finish
Rhodium is the hardest plating used in jewellery, which is why white gold gets it. Hard is not the same as permanent. What wears a rhodium finish is chemistry rather than scratching: chlorine, salt water, sweat, and the alcohol in perfume and hairspray, working fastest at the clasp and along the underside where the bracelet moves against skin. Keep it dry and the finish stays bright for years; wear it in a pool and it will not.
One habit covers most of it
The bracelet goes on last, after cologne and any skincare, and comes off first at the end of the day. That single sequence keeps almost every chemical that matters away from the metal, and it costs nothing to adopt.
On a multicoloured line, dirt shows as flatness
A coloured stone reads as its colour because light enters the top, travels through, and comes back out. A film of skin oil on the underside blocks that path, and every colour dulls at a different rate: the olive goes first, then the green, while magenta holds longest. The effect is not that the bracelet dims but that the contrast between the colours collapses, which is the entire point of this design. A dry lint-free cloth along the back of the line restores it, and once a week is enough.
Care
- Keep it dry. Take it off before the shower, the pool, the gym, and anything that produces heavy sweat.
- Put it on last, after cologne, sunscreen, and hand cream, and take it off first.
- Wipe the stones and the underside of the settings with a dry lint-free cloth about once a week.
- Use a soft dry cloth on the metal. Nothing abrasive and no chemical polish, both of which strip plating.
- Avoid ultrasonic cleaners, which can work a setting loose.
- Close the clasp before storing, and keep it flat in the Caligio pouch bag rather than loose in a drawer.
Why these colours together?
Magenta and green sit almost opposite on the colour wheel, and complementary colours make each other look more saturated than either does alone. That is how the eye processes colour rather than a matter of taste, and it is why this line reads brighter than the number of stones suggests. Olive bridges the two.
What are the clear stones for?
They are the pauses. Three strong colours in a row with nothing between them would fight and read as noise. A clear stone between each gives the eye somewhere neutral to land and stops adjacent colours bleeding into one another. Remove them and the same three colours would look cheap.
Is the clasp set with stones as well?
Yes, and that is unusual. On almost every tennis bracelet the clasp is a plain block of metal that sits in the line like a missing tooth. Here the clasp face is pavé-set, so the run of stones genuinely closes. It is the first thing worth checking on any tennis bracelet.
Why are the stones square?
Because colour needs edges. A round brilliant scatters light into many small points, which breaks the colour up along with the light. A square holds a solid field with a hard boundary, so magenta stays magenta right up to the line where green begins.
What is rhodium plating?
Rhodium is a platinum-group metal and the hardest, most reflective plating used in jewellery. White gold is plated with it as standard, because rhodium is brighter and harder than the white gold underneath. Here it also keeps the metal from tinting the colours.
Would this work in gold?
Not as well. A warm metal would tint the greens toward yellow and drag the magenta toward orange, and the complementary relationship holding the design together would collapse. Cold white metal stays out of the way and lets each colour be itself.
Will the finish last?
Rhodium is hard, but hard is not permanent. What wears it is chemistry rather than scratching - chlorine, salt water, sweat, and the alcohol in perfume. Keep the bracelet dry and put it on after cologne and skincare, and the finish stays bright for years.
Can I wear it in water?
No. Keep this one dry: take it off before the shower, the pool, the gym, and anything that produces heavy sweat. A plated finish is the part that decides how long the bracelet looks new, and water carrying chlorine or salt is what shortens that.
Which size should I take?
Measure your wrist with a tape or a strip of paper and add roughly half an inch. S/M covers up to 6.9 inches, Large up to 7.7 inches. The bracelet should turn freely and stop at the wrist bone rather than pass over the hand. There is one of each.
Are the stones real gemstones?
No, they are cubic zirconia in four tones. Matching four colours at a consistent cut in natural stones is what puts a real multicoloured line into the thousands, which is the whole reason this style exists in CZ.
How do I keep the colours sharp?
Wipe the underside of the line with a dry lint-free cloth about once a week. On a multicoloured bracelet the colours dull at different rates - olive first, then green, magenta last - so a dirty line does not dim evenly, it loses the contrast that is the point of the design.
Why is there only one of each size?
It is a sample. We bring pieces in to see how they wear and how they photograph, and the ones that do not go into a full production run are sold here as single copies. Neither size is restocked once it goes.
To define the correct sizing of your wrist, we highly recommend using a tape measure and measuring the circumference of your wrist just above the hand. However, if you do not have a special measure, use a small piece of tape or a cord. Wrap it around your wrist and measure the length against a ruler.
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Wrist size inch / cm |
| SMALL |
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6.7 - 7.1 inch / 17-18 cm |
| LARGE |
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Need XL? Check our XL Collection
Plenty of Caligio’s Cuff bracelets are adjustable and comfortably fit most of the standard wrist sizes. Slip-on cuff bracelets sizes are easily increased and decreased with bare hands. Keep in mind that the wrist size is not the same as the length of a bracelet. Still, need help? Email us at: support@caligio.com.
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Please note that the below-mentioned delivery timings are taken from the official websites of the delivery providers and may vary depending on the carriers delivery speed. International orders may be applicable for local taxes on top of the delivery costs.
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$5.99 | 3-5 Business Days |
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$9.99 | 1-3 Business Days |
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US -USPS Standard Delivery + Priority Processing & Shipping Insurance. |
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3-5 Business Days |
| Canada - Standard Delivery | $19.99 | 7-18 Business Days |
| Europe - Standard Delivery | $19.99 | 7-18 Business Days |
| UK & Ireland - Standard Delivery | $19.99 | 7-18 Business Days |
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We do not process returns or refunds for final sale(special price) items, bundles, Buy 2 Get 1 Free offers, or promotional deals with discounts of 20% or more.
For any questions, contact us at support@caligio.com.

